Sherlock by Kenzo Giunto
Watson telephone number!!
so i just did this
because I’ve got nothing to lose
I phoned it
sadly, the person I am calling is unable to take my call
fucking o2 messenger service
^^^^^^^ Can you imagine if you got a text back!?!
I tried to call it too, I got voicemail.
I called too haha look what this fandom is doing to me xD
Haha just called goddamn voicemail
this fandom will be the death of me omg imagine some poor guy getting a thousand missed calls and texts asking him to buy milk oh god
Just texted it.
“John. Stay strong. I’m coming for you. SH”

Matt Baker: ”you knew Benedict, did you, when he was a boy?”
Una: ”Yes. I worked with Wanda, his mother, who used to do masses of films years ago and we worked together. We lived near each other and so I’d be walking down the hight street with a pram full of children, and she had this little boy with her. And we’d stand gossiping, and this little boy, which was Benedict, would be standing there booored, waiting for us to finish”.
I think I read somewhere, or someone told me, that in Scandal of Belgravia Sherlock felt an ‘affinity’ towards Irene Adler. That because he let her live in the end and kept her phone as a ‘remembrance’.
But from what I’ve observed, it was Irene who felt ‘something’ for Sherlock, following the “I took your pulse” and the blindingly obvious SHERLOCKED code. Sherlock didn’t even feel an inkling of erotic love for her, he just needed final proof. He kept her alive because she’s a force to be reckoned and in canon she left unscathed from anything at all. Of course, the “LATE Irene Adler” from the Conan Doyle text could be interpreted in two ways: LATE as in dead and LATE as in she was an ADLER but since she got married she’s no longer Irene Adler. Also the phone, it was just the picture Conan Doyle Sherlock kept as remembrance; the only woman and half of the duo that have outsmarted the world’s only consulting detective.
So I conclude that the ending didn’t harm the canon at all. It just had a different take, oh yes they have a word for it: ADAPTATION. Don’t like? RETELLING, then.

















